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An atmosphere of loss, loneliness, and longing also permeates throughout as they musically say goodbye to old friend, confidant, and longtime manager the late Nick John. The title Time in the Sun is meant to be a monument to my own human existence and also a tribute to the human experience in general. Now a postmodern heavy metal institution with a legion of like-minded fans, they bring you Phantom Tomorrow.

Bleed The Future Season of Mist Archspire presents an unforgiving masterpiece that serves up technical death metal at its most extreme and intricate. The G-force levels of velocity and dizzying technical proficiency reach seemingly impossible heights, defying the laws of physics and pushing human boundaries to the outer limits.

Bleed the Future sits at the apex of technical and extreme metal, certifying Archspire's place among the genre's masters. They were one of the longest running bands at the festival, and it was amazing to see a crowd of all ages going wild for their punk rock stylings.

We more or less stayed at The Dickies Stage all day, as there were so many good acts to see there. The brass section sounded fantastic, kicking off in style with A Moment Of Violence. Punk stalwarts Pennywise were up next, putting on a fantastic show with their own brand of fast punk rock. Their political punk felt very on point with the current political situation within the UK, with a rousing rendition of anthem Bro Hymn rounding things out with a mass singalong.

They were one of the only female fronted bands at the festival this year, but frontwoman Aimee Interrupter proved that she had the chops to stand up there with the rest of the acts on show at Slam Dunk Festival, as she has a fantastic voice that can instantly switch between poppy melodies and a ferocious punk rock growl. We decided to leave The Dickies Stage for a bit to have a wander around the site.

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The highlight of his set came in his penultimate song, in which Farren sheathed his guitar to walk amongst the audience. He zigzagged from place to place while singing, eventually falling to the floor and rolling around for the climax of the song. The crowd was ecstatic, full of laughter and flashes from smartphone cameras.

Like many of their recent tours, the band was accompanied by a third saxophone player, bringing the total horn count up to a staggering five. Drummer Chris Thatcher in particular is a beast behind the kit, both in terms of speed and aggression. Luckily, the band is very careful at crafting setlists that give the crowd some room to breathe in-between more intense moments.

The album was available via Victory Records' website, along with all the major physical retailers. The band called for a boycott of all merchandise and music purchased from Victory Records, be it through online sources such as Amazon. They instructed their fans and customers to instead buy merchandise from their website, such as shirts and stickers. More specifically, we will no longer be touring year round, nor will we be touring much at all anymore. Streetlight is not actually breaking up, and we have no plans to ever do so, really.

As of now, we still plan to play festivals, both in the US and overseas, occasional one-off shows here and there and even sporadic short-run tours. Hell, we may even do an extended tour a few years from now, who can say? One thing is certain, though: we will still make music together.

We've recently submitted an album The Hands That Thieve to the record label we've been under contract with since the beginning, and with that, we are now free of a very contentious, very unhappy relationship you may have heard, ha! We have no plans to ever sign with another label and we will happily continue to release records, on our own and on our own terms. The lawsuit was filed in regard to the band not fulfilling their record deal of four studio albums to be released under Victory Records.

The band released five albums under Victory Records however, Victory claims that " Kalnoky took to the band's Twitter account to comment on the removal of the Victory catalog from streaming service Spotify : "Ironically, victoryrecords hasn't paid us a cent in royalties in over 2 yrs. More info soon. It was also revealed that Nadav Nirenberg had parted ways with the band and been replaced by Karl Lyden.

On April 19, , Streetlight Manifesto and Victory Records issued a joint statement that the two parties had reached a settlement under which the band left the record label, and the record label sold the band all master recordings for an undisclosed sum.